Hypochondriacal motifs emerge from a dietary-cultural environment entangled with "heroin chic," in which the male body is positioned as normative and the female body as deviation. This produces a persistent doubt: is my body itself a foreign body?
In Der Tod Ist Ein Skandal, a symbolic attempt to exert control over the body, glossy normativity collides with supposed ugliness. Radical empathy—understood as the refusal of disgust—operates as the work’s final proposition. Vulnerability is not treated as a deficiency. Distrust and fear do not prevent an affirmation: the body remains the site where life, in its excess and instability, unfolds.